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Dorie Polakoff

Cockeysville, MD
3.5C year-end 2024
i
Computer — generated by the USTA algorithm from match play
7 matches · 3W–4L · seasons 2024–2026

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Match history7 matches
L
2026-05-27 · Love Lee 18+ 4.0 · #2 Doubles · 4.0 · with Sybil Mead
expectation pending — we’re still fetching an opponent’s record
1-6, 1-6
L
2026-05-24 · Love Lee 18+ 4.0 · #2 Doubles · 4.0 · with Elizabeth Lee
expectation pending — we’re still fetching an opponent’s record
6-3, 6-7, 0-1
W
2026-05-16 · Love Lee 18+ 4.0 · #2 Doubles · 4.0 · with Sybil Mead
expectation pending — we’re still fetching an opponent’s record
7-6, 6-1
L
2026-05-03 · Love Lee 18+ 4.0 · #2 Doubles · 4.0 · with Judi Knott
expectation pending — we’re still fetching an opponent’s record
6-7, 6-7
W
2026-04-22 · Love Lee 18+ 4.0 · #2 Doubles · 4.0 · with Anja Freiburg
expectation pending — we’re still fetching an opponent’s record
6-3, 6-0
L
2025-06-04 · Charm City Aces · #2 Doubles · 3.5 · with Megan Flood
expectation pending — we’re still fetching an opponent’s record
3-6, 5-7
W
2024-05-11 · Whitecar · #1 Doubles · 3.5 · with Heather Vogel
expectation pending — we’re still fetching an opponent’s record
2-6, 6-4, 1-0
Where you rank locallyagainst everyone at your level
Teams4 teams · 2023–2026
Over timerating by season, and how you rank
By level2 levels played
3.5
1W–1L
not enough matches yet
4.0
40%
2W–3L · 52% of games

Games won matters more than matches won — NTRP adjusts on margins.

By lineusually #2 Doubles, 86% of the time
#2 Doubles
86%
6 matches
#1 Doubles
14%
1 match

How often, across every team and every match we hold — including ones that do not count toward a rating. Advanced stats has a court-position table too, and it answers a different question: how well you do there, over matches that count. A team’s own page shows how that one team uses you.

Not affiliated with or endorsed by the USTA. Ratings labelled as published are USTA year-end figures; anything we describe as an estimate is ours, not USTA’s. Match data is from USTA TennisLink.

Pressure is a privilege.
Billie Jean King